• Events
  • Work
  • Blog
  • CV
  • Shop
  • Lessons
  • CONTACT
Menu

Lauren Kindle

  • Events
  • Work
  • Blog
  • CV
  • Shop
  • Lessons
  • CONTACT

Generous Permission

”Nothing redeems but beauty, its generous permission,

its gorgeous celebration of all that has previously been uncelebrated.” 

--Dave Hickey, The Invisible Dragon

Welcome to my art blog! The entire archive of posts can easily be found on my Table of Contents on Pinterest.

I’m also a writer. You can find seven art-related short stories here: My Short Stories

Follow me on Patreon.

"Autumn Trees #4" oil on linen, 6x9"

"Autumn Trees #4" oil on linen, 6x9"

Cemetery Paintings

November 1, 2017

For the past week, I have been drawn towards the outdoors. I spent a long time walking around Easton with my easel-backpack, looking for a quiet spot to paint, a spot that had exciting shapes and colors.  Autumn is so cold and melancholy, with an aching beauty, heavy with mortality.  So, it's no surprise I was drawn to the Easton Cemetery, a place where I always feel very peaceful.  Everything about this cemetery speaks peace to me.

redscarf.jpg

I wanted to be alone.  I wanted to feel the quiet stillness pressing around me on all sides.  I returned day after day, content to spend a long time mixing colors, laying down shapes, scraping them away, and doing it again. 

"Autumn Trees #2" 6x9" oil on linen

"Autumn Trees #2" 6x9" oil on linen

Every day that I went out, I came home feeling refreshed.  The cold air and the intense colors sank into my soul.  I tried to think about some of the painting advice that my friend from Italy, Laura Vahlberg, had given me.  This one thing in particular was in my mind as I painted:

Reality begins after 3 large simple masses are the correct value, chroma, and temperature. 

"Autumn Trees #1" oil on linen, 6x9"

"Autumn Trees #1" oil on linen, 6x9"

Of course, I never really was able to stay with the three simple masses; I kept getting distracted by the autumn colors and it was so tempting to add more details.  But it helped me to begin that way, and try and return to that good beginning place as often as I could, even if it meant scraping everything away.

Simplify.

"Autumn Trees #3" oil on paper 5x7"

"Autumn Trees #3" oil on paper 5x7"

I painted near my Ukrainian great-grandparents' graves.  Here is the grave of my Baba (my great-grandmother).  Her name was Neonila Wengrshenowsky, but I suppose it was too much trouble to fit the whole name on the tombstone.  She died when I was four, and I can still remember her.  She was patient, with long white hair piled on top of her head.  I remember sitting next to her at a desk while she showed me how to draw a house with a pencil. 

neonila.jpg

I find that I am more joyful when I put paint down with a palette knife, rather than a brush.  I feel so excited by putting paint down thickly.  I think that I would be quite happy to be buried in this cemetery someday, with its large trees and winding paths.  Maybe, if I don't make it into heaven, I can be a ghost painting here. 

Which wouldn't really be that different from heaven...

← Chris Liberti: thoughts on paintingLaura Vahlberg →

Latest & Greatest

Featured
June 10, 2026
Everything is brighter because of the music.
June 10, 2026
June 10, 2026
April 4, 2026
Stone Lithography
April 4, 2026
April 4, 2026
February 18, 2026
Art is Healing
February 18, 2026
February 18, 2026
December 8, 2025
Figurative Collage
December 8, 2025
December 8, 2025
November 21, 2025
Lee: Seven Monotypes
November 21, 2025
November 21, 2025
October 11, 2025
Cafe Memory
October 11, 2025
October 11, 2025
September 23, 2025
Wilting Summer Bouquet
September 23, 2025
September 23, 2025
September 16, 2025
Fig Tree
September 16, 2025
September 16, 2025
July 14, 2025
JD Wissler: poems and workshops
July 14, 2025
July 14, 2025
May 14, 2025
Will Harmuth
May 14, 2025
May 14, 2025